If Where Eagles Dare dazzled audiences with its breathtaking action, much of the credit belonged to the British stunt team who risked their lives in freezing conditions to make it look effortless. Under Yakima Canutt’s direction, a group of men and one pioneering woman transformed the Austrian Alps into a playground of controlled chaos.
Among them was Gillian Aldam, the only female stunt performer on the film and double for actress Mary Ure. Her poise and precision won respect in a male-dominated trade.
“They called me ‘Fred,’” she laughed, “because I worked like one of the lads.”
Aldam performed abseils down the castle walls, the perilous jump from the cable car, and close-range gun battles, all without injury.
“Yakima never rushed anyone,” she recalled. “He brought the best out of you.”
Her colleagues included Alf Joint, Burton’s near-perfect double, famed for his fearless high falls; Eddie Powell, who mirrored Clint Eastwood’s athletic grace; and veterans Joe Powell, Peter Brace, Doug Robinson, Jack Cooper, and Terry Yorke. Each had a specific specialty—horsework, hand-to-hand combat, or pyrotechnic timing—and Canutt used their strengths like a general deploying troops.
The stunt team’s greatest challenge was the 70-foot leap from the cable car into the river.
“It looked like we were dropping into the back lot,” Aldam said.
Producer Elliott Kastner cabled from London, ordering: “Do it for real.”

The second attempt, filmed at seventy feet while the car was in motion, succeeded but nearly ended in disaster when a gust of wind shifted the car mid-jump.
“You shook like a leaf,” Aldam admitted.
Jack Cooper later fractured ribs when a fall cushion froze solid overnight, while squibs used to simulate bullet hits left Derren Nesbitt briefly hospitalised. Yet morale stayed high.
“We were all on weekly salaries,” Aldam said. “You just did the job—no danger money, no bonuses.”
When the unit wrapped, Canutt praised his British crew as “the finest professionals I ever worked with.” For audiences, they remained invisible; for filmmakers, they became legends.
Every explosion, fall, and gunfight in Where Eagles Dare carried their signature—a reminder that behind Richard Burton’s steady gaze stood an army of men and women who truly dared.
Sources
- – The Making of Where Eagles Dare, feature article, 1996.
- – Yakima Canutt, Stunt Man (New York: St. Martin’s Press, 1980).
- – Gillian Aldam interview, Cinema Retro, Issue 17 (2010).
- – Alf Joint oral history, BFI National Archive, 2006.
- – Variety, 22 May 1968, “Stunt Crew Scales New Heights on MGM Epic.”